Thessaloniki’s Agora Industry StrAnd Turns To TV

In a bid to adapt to the ever-changing content market, Thessaloniki International Film Festival’s industry component, Agora, is unveiling a slew of new initiatives as it gears up for its 63rd edition.

This year, it’s launching its newly-established Agora Series section, where it will dedicate an entire day (November 10) to shining a spotlight on the TV sector. Representatives from Greek broadcasters and international execs from places such as Netflix Italy, Sky Studios and Germany’s Nadcon Production, will touch down for the event, which will also feature networking events, discussion panels and a masterclass fromBig MouthandGlowVictor Quinaz is a scriptwriter and producer.

“We wanted to introduce this to the Agora line-up to reflect what is happening right now in Greece and how we’re working with TV series,”Angeliki Vergou (head of Agora) says. “There has been a boom of production in Greece right now from abroad and that, coupled with Greece’s economic crisis we had for many years, meant that the production of TV series in the country sort of went to sleep. Now, however, people are awakening and returning to television.

“We don’t have many platforms in Greece besides the international ones but we are making our own content and it is starting to happen now. So we think that it’s the ideal time for us to include Agora Series in this international event to see how we can support the local creators and content and how we can learn from international experts to help them develop their craft.”

Agora will also launch a Think Tank series in this year’s film market futures. This series will call on all European markets to discuss suggestions and make changes to support the filmmaking community.

“The biggest challenge right now is the volume and diversity of events happening in general across the film and television sectors,” says Vergou. “I think that the speed of the digital environment has augmented things so that everything is happening at a very fast pace and we don’t have time to sit and think.”

She cites the wider issues of the war in Ukraine, and the global climate crisis, as key topics for discussion this year. On one hand, she says, it’s important to be a part of the climate change discussion and minimize carbon footprints, but physical events can make this difficult. “And it’s important that people meet face-to-face and for us to facilitate them in making wonderful cinema.”

“With the Think Tank, we’re hoping this will help us understand where we should be more focused and who needs more help, what we can eliminate, that kind of thing,”She says. “Sustainability issues are key points. The digital era has helped many people connect into business anyway but we feel that the human factor needs to be preserved because otherwise we’ll be living in this metaverse.”

Elsewhere, Agora’s reputable Crossroads Co-Production Forum is back as usual this year along with its Works In Progress program. These events will feature projects from the Black Sea, Central Europe, and Southeastern Europe and allow producers to share their work with distributors, co-producers, and international sales agents.

Past projects of its Crossroads Coproduction forum include Locarno Film Festival entriesNightsirenAndWhat is Katia?and Azra Deniz Okyay’sGhosts, which won the Grand Prize at Venice Film Festival’s Critics’ Week in 2020.

“Thessaloniki has always been a very multicultural city so we’re trying to bring different stories together and help them find financing, co-producers and partners in general,” says Vergou.

The Thessaloniki International Film Festival is November 3-13.

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