Much of the world is late. Toni MorrisonHe was a novelist, and is well-known for his classics like “Beloved,” “Song of Solomon”And “The Bluest Eye.”
However, the Nobel laureate was not content with writing only.
Morrison also completed plays, poems, essays and short stories, one of which is coming out as a book Feb. 1. “Recitatif,”Morrison wrote the story in the 1980s. It was rarely seen for decades. The book follows the lives and fortunes of two women, from their childhoods to their adult lives. Zadie Smith is a novelist. Bahni Turpin reads the audio edition.
Autumn M. Womack is a Princeton University professor of English and African American Studies. Morrison was a long-standing student at Princeton University. Womack claims that the author has written short fiction since Howard University and Cornell University. However, she has never published a collection. “Recitatif”It was included in the 1983 publication “Confirmation: An Anthology of African American Women,”This book was co-edited and is now out of print by Amiri, a poet-playwright.
“One of the main takeaways from it (‘Recitatif’) is that you’ll begin to think of her as someone who experimented with form,” Womack said. “You’ll get away from the idea that she was solely a novelist and think of her as someone who was trying all kinds of writing.”
“Recitatif”Merriam-Webster defines a musical expression as “a rhythmically free vocal style that imitates the natural inflections of speech,”Morrison frequently suggested this style. Twyla and Roberta meet in a series of encounters. One is Black, while the other is white. We are left guessing which one.
They meet up as girls at St. Bonaventure children’s shelter (“it was something else to be stuck in a strange place with a girl from a whole other race,”Twyla, story’s narrator is still in her mind. They meet up again years later, either at Howard Johnson’s in New York where Twyla was employed and Roberta arrives with a man who is scheduled to meet with Jimi, or at a nearby Food Emporium.
“Once, twelve years ago, we passed like strangers,” Twyla says. “A black girl and a white girl meeting in a Howard Johnson’s on the road and having nothing to say. One in a blue and white triangle waitress hat — the other with a male companion on her way to see Hendrix.
“We behaved like we had been sisters for too long.”
Womack notes that “Recitatif” is a key word in Womack’s writings.” includes themes found elsewhere in Morrison’s work, whether the complicated relationship between two women that was also at the heart of her novel “Sula” or the racial blurring Morrison used in “Paradise,” a 1998 novel in which Morrison refers to a white character within a Black community without making clear who it is. Morrison often spoke of race as an invention of society, once writing that, “The realm of racial differences has been given an intellectual weight that it does not deserve.”
In her introduction, Smith likens “Recitatif” to a puzzle or a game, while warning that “Toni Morrison does not play.” The mystery begins with the opening lines, “My mother danced all night while Roberta’s was sick. “Well, now, what kind of mother tends to dance all night?”Smith asks “A black one or a white one?”Morrison will mention everything in the story, including hair length and social status, as if challenging the reader’s racial assumptions.
“Like most readers of ‘Recitatif,’ I found it impossible not to hunger to know who the other was, Twyla or Roberta,”Smith acknowledges. “Oh, I urgently wanted to have it straightened out. Wanted to sympathize warmly in one sure place, turn cold in the other.
“To feel sorry for the someone and to dismiss the nobody. This is exactly what Morrison will not allow me do, and it’s precisely why I won’t. It is worth asking why.